The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 55
... novels seemed readable which we now think a bore . It is not for nothing that the novel is called " novel . " The difficulty of finding new subjects is accompanied by another , perhaps more serious , dilemma . As the store of possible ...
... novels seemed readable which we now think a bore . It is not for nothing that the novel is called " novel . " The difficulty of finding new subjects is accompanied by another , perhaps more serious , dilemma . As the store of possible ...
Pagina 57
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
Pagina 73
... novel because we have bumped into the novelistic scaffolding . However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of ...
... novel because we have bumped into the novelistic scaffolding . However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young