The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 55
... novels seemed readable which we now think a bore . It is not for nothing that the novel is called " novel . " The difficulty of finding new subjects is accompanied by another , perhaps more serious , dilemma . As the store of possible ...
... novels seemed readable which we now think a bore . It is not for nothing that the novel is called " novel . " The difficulty of finding new subjects is accompanied by another , perhaps more serious , dilemma . As the store of possible ...
Pagina 57
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
... novel from its beginnings to our day reveals that , from being pure narration which but alludes , the novel has advanced to strict presentation . At first , the narrative as such kept the reader amused through the novelty of the subject ...
Pagina 95
... novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart ...
... novel need not be like real ones , it is enough that they are possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth