The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 88
... novelist must be inspired above all by a wonderful enthu- siasm to tell a tale and to invent men and women and conversations and passions . A silkworm en- closed in his magic cocoon , he must forget the world he leaves behind and ...
... novelist must be inspired above all by a wonderful enthu- siasm to tell a tale and to invent men and women and conversations and passions . A silkworm en- closed in his magic cocoon , he must forget the world he leaves behind and ...
Pagina 90
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
Pagina 93
... novelist can do is to ob- serve and to copy the real processes in existing souls . But he cannot invent psychological processes and construct souls as the mathematician constructs geometrical figures . Yet the enjoyment of novels ...
... novelist can do is to ob- serve and to copy the real processes in existing souls . But he cannot invent psychological processes and construct souls as the mathematician constructs geometrical figures . Yet the enjoyment of novels ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth