The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 70
As it is , much has been said about what is going on in Dostoevski ' s novels and
very little about their form . ... novelist is looked upon as one more figure in his
own novels , which indeed seem begotten in an hour of demoniacal ecstasy by ...
As it is , much has been said about what is going on in Dostoevski ' s novels and
very little about their form . ... novelist is looked upon as one more figure in his
own novels , which indeed seem begotten in an hour of demoniacal ecstasy by ...
Pagina 89
Thus the imperative of autopsy follows inevitably from the fact that the novelist
finds himself compelled to cover the real world with his imaginary world . If we are
not to see a thing , if a thing is to be concealed , we must be shown other things ...
Thus the imperative of autopsy follows inevitably from the fact that the novelist
finds himself compelled to cover the real world with his imaginary world . If we are
not to see a thing , if a thing is to be concealed , we must be shown other things ...
Pagina 90
Great novels are atolls built by myriads of tiny animals whose seeming frailness
checks the impact of the seas . For this reason a novelist should never attack a
subject unless he knows it thoroughly . He must produce ex abundantia . Where
he ...
Great novels are atolls built by myriads of tiny animals whose seeming frailness
checks the impact of the seas . For this reason a novelist should never attack a
subject unless he knows it thoroughly . He must produce ex abundantia . Where
he ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |