The dehumanization of art, and other writings on art and culture |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 85
The first is easy; almost any promise finds us ready to enter through the gate the
novelist holds open for us. The second is more difficult. The author must build
around us a wall without chinks or loopholes through which we might catch, from
...
The first is easy; almost any promise finds us ready to enter through the gate the
novelist holds open for us. The second is more difficult. The author must build
around us a wall without chinks or loopholes through which we might catch, from
...
Pagina 89
Thus the imperative of autopsy follows inevitably from the fact that the novelist
finds himself compelled to cover the real world with his imaginary world. If we are
not to see a thing, if a thing is to be concealed, we must be shown other things
that ...
Thus the imperative of autopsy follows inevitably from the fact that the novelist
finds himself compelled to cover the real world with his imaginary world. If we are
not to see a thing, if a thing is to be concealed, we must be shown other things
that ...
Pagina 90
For this reason a novelist should never attack a subject unless he knows it
thoroughly. He must produce ex abundantia. Where he finds himself moving in
shallow waters he will never make good. Things must be accepted as they are.
For this reason a novelist should never attack a subject unless he knows it
thoroughly. He must produce ex abundantia. Where he finds himself moving in
shallow waters he will never make good. Things must be accepted as they are.
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |