The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 105
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
Pagina 110
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Pagina 112
... object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air ...
... object , and we have passed from proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth