The dehumanization of art, and other writings on art and culture |
Dall'interno del libro
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Pagina 58
All scientific endeavor lastly consists in the systematic effort to leave behind the
object and to arrive at its definition. Now, a definition is nothing if not a series of
concepts, and a concept is nothing else than a mental allusion to an object.
All scientific endeavor lastly consists in the systematic effort to leave behind the
object and to arrive at its definition. Now, a definition is nothing if not a series of
concepts, and a concept is nothing else than a mental allusion to an object.
Pagina 110
power that permits it— even more— obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others. This magic object is light.
It is everywhere single and unique throughout the composition. Here is a
principle ...
power that permits it— even more— obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others. This magic object is light.
It is everywhere single and unique throughout the composition. Here is a
principle ...
Pagina 112
revolve the forms of objects. Rigidly, the ocular apparatus casts its ray directly
forward, without deviating to one side or the other, without preference for any
object. When it lights on something, it does not fix upon it, and, consequently, that
...
revolve the forms of objects. Rigidly, the ocular apparatus casts its ray directly
forward, without deviating to one side or the other, without preference for any
object. When it lights on something, it does not fix upon it, and, consequently, that
...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |