The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 105
of the object and the eye , that is , the hollow space . And since the latter is in front
of the object , it follows that the journey of the pictorial gaze is a retrogression
from the distant - although close bytoward what is contiguous to the eye .
of the object and the eye , that is , the hollow space . And since the latter is in front
of the object , it follows that the journey of the pictorial gaze is a retrogression
from the distant - although close bytoward what is contiguous to the eye .
Pagina 110
power that permits it - even more - obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others . This magic object is light .
It is everywhere single and unique throughout the composition . Here is a
principle ...
power that permits it - even more - obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others . This magic object is light .
It is everywhere single and unique throughout the composition . Here is a
principle ...
Pagina 112
revolve the forms of objects . Rigidly , the ocular apparatus casts its ray directly
forward , without deviating to one side or the other , without preference for any
object . When it lights on something , it does not fix upon it , and , consequently ,
that ...
revolve the forms of objects . Rigidly , the ocular apparatus casts its ray directly
forward , without deviating to one side or the other , without preference for any
object . When it lights on something , it does not fix upon it , and , consequently ,
that ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |