The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 4
Pagina 42
... one's pen and let a flock of questions take off on their winged course . 14. It would be interesting to analyze the psycho- logical mechanisms through which yesterday's art nega- tively affects the art of today . One is obvious : ennui ...
... one's pen and let a flock of questions take off on their winged course . 14. It would be interesting to analyze the psycho- logical mechanisms through which yesterday's art nega- tively affects the art of today . One is obvious : ennui ...
Pagina 44
... one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To ...
... one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the young so incomprehensible to serious people of less progressive taste . To ...
Pagina 68
... one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the royal couple . This point of view ...
... one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the royal couple . This point of view ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young