The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 16
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
Pagina 84
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
Pagina 166
... ourselves , " What a job ! " Whereby , with complete ingenuousness and without being aware of it , we set forth the most considerable difference between man and animal . Because the expression means that we feel a strange weariness , a ...
... ourselves , " What a job ! " Whereby , with complete ingenuousness and without being aware of it , we set forth the most considerable difference between man and animal . Because the expression means that we feel a strange weariness , a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young