The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 16
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
Pagina 84
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
... ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held incommunicado ? That there can have been no communication is clear ; for we are aware of no ...
Pagina 166
... ourselves , " What a job ! " Whereby , with complete ingenuousness and without being aware of it , we set forth the most considerable difference between man and animal . Because the expression means that we feel a strange weariness , a ...
... ourselves , " What a job ! " Whereby , with complete ingenuousness and without being aware of it , we set forth the most considerable difference between man and animal . Because the expression means that we feel a strange weariness , a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth