The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 165
comparing them with ourselves , anything but gross , abstract differences , vague
by their very extremity . But the ape is so like ourselves that it invites us to pursue
the comparison , to discover more concrete and more fertile differences .
comparing them with ourselves , anything but gross , abstract differences , vague
by their very extremity . But the ape is so like ourselves that it invites us to pursue
the comparison , to discover more concrete and more fertile differences .
Pagina 166
As we contemplate this fate of unremitting disquietude , there comes a moment
when , using a very Argentinian expression , we say to ourselves , “ What a job ! ”
Whereby , with complete ingenuousness and without being aware of it , we set ...
As we contemplate this fate of unremitting disquietude , there comes a moment
when , using a very Argentinian expression , we say to ourselves , “ What a job ! ”
Whereby , with complete ingenuousness and without being aware of it , we set ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young