The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 16
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
Pagina 19
Let us compare a painting in the new style with one of , say , 1860 . The simplest
procedure will be to begin by ... It might be supposed that the modern painter has
failed to achieve resemblance . But then some pictures of the 1860 ' s are ...
Let us compare a painting in the new style with one of , say , 1860 . The simplest
procedure will be to begin by ... It might be supposed that the modern painter has
failed to achieve resemblance . But then some pictures of the 1860 ' s are ...
Pagina 105
According to this , the evolution of Western painting would consist in a retraction
from the object toward the subject , the painter . The reader may test for himself
this law that governs the movement of pictorial art by a chronological review of
the ...
According to this , the evolution of Western painting would consist in a retraction
from the object toward the subject , the painter . The reader may test for himself
this law that governs the movement of pictorial art by a chronological review of
the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young