The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 16
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
Pagina 19
It might be supposed that the modern painter has failed to achieve resemblance .
But then some pictures of the 1860 ' s are “ poorly ” painted , too , and the objects
in them differ considerably from the corresponding objects outside them .
It might be supposed that the modern painter has failed to achieve resemblance .
But then some pictures of the 1860 ' s are “ poorly ” painted , too , and the objects
in them differ considerably from the corresponding objects outside them .
Pagina 117
The painter begins by asking himself what elements of the universe ought to be
translated onto canvas , that is , what class of phenomena are pictorially essential
. The philosopher , for his part , asks what class of objects is fundamental .
The painter begins by asking himself what elements of the universe ought to be
translated onto canvas , that is , what class of phenomena are pictorially essential
. The philosopher , for his part , asks what class of objects is fundamental .
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |