The dehumanization of art, and other writings on art and culture |
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Pagina 16
literary performance. If he does not "live" the scene he at least pretends to "live" it.
The painter, in fine, completely unconcerned, does nothing but keep his eyes
open. What is happening here is none of his business; he is, as it were, a
hundred ...
literary performance. If he does not "live" the scene he at least pretends to "live" it.
The painter, in fine, completely unconcerned, does nothing but keep his eyes
open. What is happening here is none of his business; he is, as it were, a
hundred ...
Pagina 19
It might be supposed that the modern painter has failed to achieve resemblance.
But then some pictures of the 1860's are "poorly" painted, too, and the objects in
them differ considerably from the corresponding objects outside them. And yet ...
It might be supposed that the modern painter has failed to achieve resemblance.
But then some pictures of the 1860's are "poorly" painted, too, and the objects in
them differ considerably from the corresponding objects outside them. And yet ...
Pagina 117
The painter begins by asking himself what elements of the universe ought to be
translated onto canvas, that is, what class of phenomena are pic- torially
essential. The philosopher, for his part, asks what class of objects is fundamental.
The painter begins by asking himself what elements of the universe ought to be
translated onto canvas, that is, what class of phenomena are pic- torially
essential. The philosopher, for his part, asks what class of objects is fundamental.
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |