The dehumanization of art, and other writings on art and culture |
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Pagina 36
In foregoing to emulate reality the painting becomes what it authentically is: an
image, an unreality. Expressionism, cubism, etc., are— in varying degree—
attempts at executing this decision. From painting things, the painter has turned
to ...
In foregoing to emulate reality the painting becomes what it authentically is: an
image, an unreality. Expressionism, cubism, etc., are— in varying degree—
attempts at executing this decision. From painting things, the painter has turned
to ...
Pagina 44
To them modern painting and music are sheer "farce"— in the bad sense of the
word— and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art. A "farce" in the bad sense of the word it would be if
the ...
To them modern painting and music are sheer "farce"— in the bad sense of the
word— and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art. A "farce" in the bad sense of the word it would be if
the ...
Pagina 100
Then, it would become clear that the evolution of painting from Giotto to our own
time is a unique and simple action with a beginning and an end. It is surprising
that so elementary a law has guided the variations of pictorial art in our western ...
Then, it would become clear that the evolution of painting from Giotto to our own
time is a unique and simple action with a beginning and an end. It is surprising
that so elementary a law has guided the variations of pictorial art in our western ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |