The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
Pagina 100
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
Pagina 106
... painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of distinguishing the two tendencies in pictorial art— painting of bulk and painting of hollow space- is to ...
... painted as a unity , but as a plurality . No part is related to any other ; each is perfect and separate . Hence the best means of distinguishing the two tendencies in pictorial art— painting of bulk and painting of hollow space- is to ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth