The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 53
... Perhaps I am wrong , but I cannot help scenting behind such an equanim- ity an alarming dose of incomprehension . To pro- duce a good novel has always been a difficult thing . But while , before , it was enough to have talent the ...
... Perhaps I am wrong , but I cannot help scenting behind such an equanim- ity an alarming dose of incomprehension . To pro- duce a good novel has always been a difficult thing . But while , before , it was enough to have talent the ...
Pagina 60
... perhaps , as we were saying , because the child sees in palpable presence what our imagination is too weak to visualize . Adven- tures do not interest us ; or at least , they interest only the child that , as a somewhat barbarous ...
... perhaps , as we were saying , because the child sees in palpable presence what our imagination is too weak to visualize . Adven- tures do not interest us ; or at least , they interest only the child that , as a somewhat barbarous ...
Pagina 137
... perhaps bring some slight feeling of shame to young men who were ignorant of them in good faith . If it were a matter of bad faith , it would be of no importance ; the important thing for them is to discover that they were ignorant of ...
... perhaps bring some slight feeling of shame to young men who were ignorant of them in good faith . If it were a matter of bad faith , it would be of no importance ; the important thing for them is to discover that they were ignorant of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth