The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
As for the points of view of the four persons present at the deathbed , the clearest
means of distinguishing them is by measuring one of their dimensions , namely
the emotional distance between each person and the event they all witness .
As for the points of view of the four persons present at the deathbed , the clearest
means of distinguishing them is by measuring one of their dimensions , namely
the emotional distance between each person and the event they all witness .
Pagina 35
A traditional painter painting a portrait claims to have got hold of the real person
when , in truth and at best , he has set down on the canvas a schematic selection
, arbitrarily decided on by his mind , from the innumerable traits that make a ...
A traditional painter painting a portrait claims to have got hold of the real person
when , in truth and at best , he has set down on the canvas a schematic selection
, arbitrarily decided on by his mind , from the innumerable traits that make a ...
Pagina 130
the person who has to live with them , by means of them , and perhaps you spend
your life protesting against the soul with which you were endowedof its lack of will
, for example — as you protest against your bad stomach or of the cold climate ...
the person who has to live with them , by means of them , and perhaps you spend
your life protesting against the soul with which you were endowedof its lack of will
, for example — as you protest against your bad stomach or of the cold climate ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young