The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 31
Pagina 14
... persons present at the deathbed , the clearest means of dis- tinguishing them is by measuring one of their ... person . Or to put it inversely , the wife is drawn into the scene , she is part of it . A thing can be seen , an ...
... persons present at the deathbed , the clearest means of dis- tinguishing them is by measuring one of their ... person . Or to put it inversely , the wife is drawn into the scene , she is part of it . A thing can be seen , an ...
Pagina 35
... person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be the truth and nothing but the truth , and failure ...
... person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be the truth and nothing but the truth , and failure ...
Pagina 130
... person who has to live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which ...
... person who has to live with things , among things , the person who has to live , not any life but a particular life . There is no abstract living . Life means the inexorable neces- sity of realizing the design for an existence which ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth