The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
Pagina 57
... personages as their self - presence . We enjoy seeing those people before us and being admitted to their inner life , understanding them , and living im- mersed in their world or atmosphere . From being narrative and indirect the novel ...
... personages as their self - presence . We enjoy seeing those people before us and being admitted to their inner life , understanding them , and living im- mersed in their world or atmosphere . From being narrative and indirect the novel ...
Pagina 67
... personages . Over the intricate and varied pat- tern of the intrigue the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a ...
... personages . Over the intricate and varied pat- tern of the intrigue the poet poured his elaborate volubility - a profusion of glittering metaphors ex- pressed in a vocabulary of darkest shadows alter- nating with brilliant light , a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth