The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 28
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and , in case ... poet when writing poetry simply wishes to be a poet 28.
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and , in case ... poet when writing poetry simply wishes to be a poet 28.
Pagina 29
... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which ...
... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which ...
Pagina 90
... poet may set forth , a wander- ing minstrel , with his lyre under his arm , but the novelist moves with cumbrous baggage like circuses or nomadic tribes . He carries the furnishings of a whole world on his back . DECLINE AND PERFECTION ...
... poet may set forth , a wander- ing minstrel , with his lyre under his arm , but the novelist moves with cumbrous baggage like circuses or nomadic tribes . He carries the furnishings of a whole world on his back . DECLINE AND PERFECTION ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth