The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 8
... poetry he seeks the passion and pain of the man behind the poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting to meet . A landscape is pronounced " pretty " if the country it represents ...
... poetry he seeks the passion and pain of the man behind the poet . Paintings attract him if he finds on them figures of men or women whom it would be interesting to meet . A landscape is pronounced " pretty " if the country it represents ...
Pagina 28
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and ... poet when writing poetry simply wishes to be a poet 28.
... poet informed us prettily of his pri- vate upper - middle - class emotions , his major and minor sorrows , his yearnings , his religious or politi- cal preoccupations , and ... poet when writing poetry simply wishes to be a poet 28.
Pagina 29
José Ortega y Gasset. poet when writing poetry simply wishes to be a poet . We shall yet see that all new art ( like ... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is ...
José Ortega y Gasset. poet when writing poetry simply wishes to be a poet . We shall yet see that all new art ( like ... poet begins where the man ends . The man's lot is to live his human life , the poet's to invent what is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth