The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 28
... poetry . Poetry had to be disencumbered . Laden with human matter it was dragging along , skirting the ground and bumping into trees and house tops like a deflated balloon ... poet when writing poetry simply wishes to be a poet 28.
... poetry . Poetry had to be disencumbered . Laden with human matter it was dragging along , skirting the ground and bumping into trees and house tops like a deflated balloon ... poet when writing poetry simply wishes to be a poet 28.
Pagina 29
José Ortega y Gasset. poet when writing poetry simply wishes to be a poet . We shall yet see that all new art ( like new science , new politics - new life , in sum ) abhors nothing so much as blurred borderlines . To insist on neat ...
José Ortega y Gasset. poet when writing poetry simply wishes to be a poet . We shall yet see that all new art ( like new science , new politics - new life , in sum ) abhors nothing so much as blurred borderlines . To insist on neat ...
Pagina 32
... poetry in which a flash of lightning was compared to a carpenter's rule and the leafless trees of winter to brooms sweeping the sky . The weapon of poetry turns against natural things and wounds or murders them . SURREALISM AND ...
... poetry in which a flash of lightning was compared to a carpenter's rule and the leafless trees of winter to brooms sweeping the sky . The weapon of poetry turns against natural things and wounds or murders them . SURREALISM AND ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth