The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 106
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
The proximate gaze must shift from one to the other to make each in turn the
center of vision . This means that the point of view in a primitive picture is not
single , but as many points of view as there are objects represented . The canvas
is not ...
Pagina 112
The point of view has been retracted , has placed itself farther from the object ,
and we have passed from proximate to distant vision , which , strictly speaking , is
the more proximate of the two kinds of vision . Between the eye and the bodies is
...
The point of view has been retracted , has placed itself farther from the object ,
and we have passed from proximate to distant vision , which , strictly speaking , is
the more proximate of the two kinds of vision . Between the eye and the bodies is
...
Pagina 114
If we eliminate this - for example , by blinking the eyes — we have only oblique
vision , those side - views “ from the tail of ... It would seem that in fixing upon the
object nearest the cornea , the point of view is as close as possible to the subject
...
If we eliminate this - for example , by blinking the eyes — we have only oblique
vision , those side - views “ from the tail of ... It would seem that in fixing upon the
object nearest the cornea , the point of view is as close as possible to the subject
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young