The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 106
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
... vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The canvas is not painted as a unity , but as a plurality . No part is related to any other ...
Pagina 109
... point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of ... Point of View in the Arts 109.
... point of view . Furthermore , there appears already in the work of El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of ... Point of View in the Arts 109.
Pagina 114
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
... point of view . It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth