The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 60
... possess in impressionistic pictures is irremediably missing . THE NOVEL A SLUGGISH GENRE Hence the present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh mind of a child is ...
... possess in impressionistic pictures is irremediably missing . THE NOVEL A SLUGGISH GENRE Hence the present - day novel must be the oppo- site of a story . A story relates events ; the accent is on action . The fresh mind of a child is ...
Pagina 167
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
Pagina 173
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
... possessing it with the certainty with which a constitutive and inalienable quality is possessed , would be sure of being a man as the fish is in fact sure of being a fish . Now this is a formidable and a fatal error . Man is never sure ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth