The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 76
... possess no aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is ...
... possess no aesthetic value or only a reflected and secondary one . In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is ...
Pagina 109
... possess a feudal constitution in which every element will maintain its personal rights . But here , slipping be- tween them , is a new object gifted with a magic power that permits it — even more - obliges it Point of View in the Arts 109.
... possess a feudal constitution in which every element will maintain its personal rights . But here , slipping be- tween them , is a new object gifted with a magic power that permits it — even more - obliges it Point of View in the Arts 109.
Pagina 167
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
... possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ... possess the most extraordinary condition of being nowhere in the world , of being outside of all places ; although ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young