The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 84
... possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held ...
... possible . From this law derive a few norms of the genre . IMPERVIOUSNESS Let us observe ourselves the moment we have finished reading a great novel . Is it not as though we were emerging from another world where we were held ...
Pagina 94
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
Pagina 95
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth