The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 94
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
... possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance ...
Pagina 95
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
... possible . And this psychol- ogy of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel . That a novel may , apart from this , be concerned with giving a psychological interpreta ...
Pagina 114
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
... possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young