The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 94
-but he trusts that it possesses an inner evidence , an evidence akin to that which makes mathematics possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we ...
-but he trusts that it possesses an inner evidence , an evidence akin to that which makes mathematics possible . And let it not be said that the psychological development he describes seems convincing when it coincides with cases we ...
Pagina 95
People in a novel need not be like real ones , it is enough that they are possible . And this psychology of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel .
People in a novel need not be like real ones , it is enough that they are possible . And this psychology of possible human minds , which I have called imaginary psychology , is the only one that matters to the novel .
Pagina 114
It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea ...
It would seem that in fixing upon the object nearest the cornea , the point of view is as close as possible to the subject and as far as possible from things . But no - the inexorable retreat continues . Not halting even at the cornea ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consequence consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young