The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 5
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
... precisely a select minority irretrievably sold to the classical forms of the " ancien régime " in poetry . The works of the romanticists were the first , after the invention of printing , to enjoy large editions . Romanticism was the ...
Pagina 134
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
... precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its ...
Pagina 178
... precisely because it is known that they will not come to pass ; which are thought of only as a game , as foolishness - some years ago , for example , there was a rage in England for wolf stories , because England is a country where the ...
... precisely because it is known that they will not come to pass ; which are thought of only as a game , as foolishness - some years ago , for example , there was a rage in England for wolf stories , because England is a country where the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth