The dehumanization of art, and other writings on art and culture |
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Pagina 5
The enemy with whom Romanticism had to fight it out was precisely a select
minority irretrievably sold to the classical forms of the "ancien regime" in poetry.
The works of the romanticists were the first, after the invention of printing, to enjoy
...
The enemy with whom Romanticism had to fight it out was precisely a select
minority irretrievably sold to the classical forms of the "ancien regime" in poetry.
The works of the romanticists were the first, after the invention of printing, to enjoy
...
Pagina 134
Life cannot be a mere object, because it consists precisely in its execution, in
being actually lived, and hence being never concluded, never definitive. It does
not allow itself to be contemplated from without: the eye must transport itself there
...
Life cannot be a mere object, because it consists precisely in its execution, in
being actually lived, and hence being never concluded, never definitive. It does
not allow itself to be contemplated from without: the eye must transport itself there
...
Pagina 178
period there are ideas which I would call "fishing" ideas, ideas which are
expressed and proclaimed precisely because it is known that they will not come
to pass; which are thought of only as a game, as foolishness— some years ago, ...
period there are ideas which I would call "fishing" ideas, ideas which are
expressed and proclaimed precisely because it is known that they will not come
to pass; which are thought of only as a game, as foolishness— some years ago, ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |