The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 14
... present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these ...
... present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these ...
Pagina 100
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
... its local- ization , that is , the image presents something seen from a definite point of view . This localization of the sensible may be strict or vague , but it is inevitable . A church spire , a sail at sea , present 100.
Pagina 123
... present and the future always afford a more dramatic spectacle . But the fact is that the present and the future have often looked quite as difficult and forbidding as they do today , if not more so . What gives our present situation an ...
... present and the future always afford a more dramatic spectacle . But the fact is that the present and the future have often looked quite as difficult and forbidding as they do today , if not more so . What gives our present situation an ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth