The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 85
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
... problems , and emo- tions the book has to offer would seem so small and futile that all their significance would be ... problem of our own political or metaphysical destiny ? No , he must Notes on the Novel 85.
Pagina 128
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
... problem of his life is not posed in a way different from that heretofore in use . The biographies of Goethe have been built up in ac- cordance with the ... problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
Pagina 137
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
... problems , but that it consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young