The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 18
... produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there unquestionably exists in the world a ...
... produce . Writers who have nothing to convey but their praise or dispraise of works of art had better abstain from writing . They are unfit for this arduous task . The important thing is that there unquestionably exists in the world a ...
Pagina 90
... produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a lithe , agile , winged form . It is not for noth- ing that all the great novels ...
... produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a lithe , agile , winged form . It is not for noth- ing that all the great novels ...
Pagina 154
... produces a most curious human deformation in him . He had been the man to originate a poetry produced from within the human being's individ- ual reality , from within that most personal I which 154.
... produces a most curious human deformation in him . He had been the man to originate a poetry produced from within the human being's individ- ual reality , from within that most personal I which 154.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth