The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 18
Nor do I , for that matter , expect anybody to be particularly interested in my
valuation of the new artistic produce . Writers who have nothing to convey but
their praise or dispraise of works of art had better abstain from writing . They are
unfit for ...
Nor do I , for that matter , expect anybody to be particularly interested in my
valuation of the new artistic produce . Writers who have nothing to convey but
their praise or dispraise of works of art had better abstain from writing . They are
unfit for ...
Pagina 50
It may be said that the new art has so far produced nothing worth while , and I am
inclined to think the same . I have proposed to extract from the work of the young
the intention which is the juicy part , and I have disregarded the realization .
It may be said that the new art has so far produced nothing worth while , and I am
inclined to think the same . I have proposed to extract from the work of the young
the intention which is the juicy part , and I have disregarded the realization .
Pagina 53
To produce a good novel has always been a difficult thing . But while , before , it
was enough to have talent the difficulty has now grown immeasurably , for to be a
gifted novelist is no longer a guaranty for producing a good novel .
To produce a good novel has always been a difficult thing . But while , before , it
was enough to have talent the difficulty has now grown immeasurably , for to be a
gifted novelist is no longer a guaranty for producing a good novel .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young