The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 106
... proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The ...
... proximate gaze must shift from one to the other to make each in turn the center of vision . This means that the point of view in a primitive picture is not single , but as many points of view as there are objects represented . The ...
Pagina 112
... proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air ...
... proximate to distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air ...
Pagina 113
... proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall ... vision or vision in modo recto . But behind the axial ray the pupil sends out many others at oblique angles , enabling ...
... proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall ... vision or vision in modo recto . But behind the axial ray the pupil sends out many others at oblique angles , enabling ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young