The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 92
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
... psychology . Imaginary psychology advances in uni- son with scientific psychology and psychological in- tuition which is used in daily life . Now , few things have progressed so much in Europe these last fifty years as the knowledge of ...
Pagina 93
... psychology . It is not easy to explain in a few words what this means . The cur- rent belief is that psychological phenomena , like the phenomena of experimental physics , obey factual laws . If this is so , all the novelist can do is ...
... psychology . It is not easy to explain in a few words what this means . The cur- rent belief is that psychological phenomena , like the phenomena of experimental physics , obey factual laws . If this is so , all the novelist can do is ...
Pagina 94
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
... psychology , just as in mathe- matics , an evidence a priori . Because of this in either field imaginary construction is possible . Where only facts are subject to laws but no laws obtain that regulate the imagination it is impos- sible ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth