The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 72
... reader , afraid to lose sight of the personages at the crossroads of these contradictory data , sets forth in their pursuit by trying to recon- cile the discrepant facts to make a unified picture . That is , he gets busy to find a ...
... reader , afraid to lose sight of the personages at the crossroads of these contradictory data , sets forth in their pursuit by trying to recon- cile the discrepant facts to make a unified picture . That is , he gets busy to find a ...
Pagina 73
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
Pagina 83
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth