The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 55
... reader . This is the second cause of the difficulty with which the genre as such is faced in our time . Proof that the present decline is due to more fundamental causes than a possibly inferior quality of contemporary novels is given by ...
... reader . This is the second cause of the difficulty with which the genre as such is faced in our time . Proof that the present decline is due to more fundamental causes than a possibly inferior quality of contemporary novels is given by ...
Pagina 73
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
... reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ; the ...
Pagina 83
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
... reader's daily surroundings and constantly claim his interest . To turn each reader into a temporal " provincial " is the great se- cret of the novelist . Instead of widening the hori- zon - what novelistic horizon could be wider and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young