The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 16
Among the diverse aspects of reality we find one from which all the others derive
and which they all presuppose : “ lived ” reality . If nobody had ever " lived ” in
pure and frantic abandonment a man ' s death , the doctor would not bother , the
...
Among the diverse aspects of reality we find one from which all the others derive
and which they all presuppose : “ lived ” reality . If nobody had ever " lived ” in
pure and frantic abandonment a man ' s death , the doctor would not bother , the
...
Pagina 17
That is to say , in the scale of realities " lived ” reality holds a peculiar primacy
which compels us to regard it as “ the ” reality . Instead of “ lived ” reality we may
say “ human ” reality . The painter who impassively witnesses the death scene ...
That is to say , in the scale of realities " lived ” reality holds a peculiar primacy
which compels us to regard it as “ the ” reality . Instead of “ lived ” reality we may
say “ human ” reality . The painter who impassively witnesses the death scene ...
Pagina 35
The idea remains a bare pattern , a sort of scaffold with which we try to get at
reality . Yet a tendency resident in human nature prompts us to assume that
reality is what we think of it and thus to confound reality and idea by taking in
good faith ...
The idea remains a bare pattern , a sort of scaffold with which we try to get at
reality . Yet a tendency resident in human nature prompts us to assume that
reality is what we think of it and thus to confound reality and idea by taking in
good faith ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young