The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 16
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
Pagina 23
... reality and per- ception of artistic form , as I have said before , are essentially incompatible because they call ... reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing ...
... reality and per- ception of artistic form , as I have said before , are essentially incompatible because they call ... reality , to derealize ; style involves dehumanization . And vice versa , there is no other means of stylizing ...
Pagina 35
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth