The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 16
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
... reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a remark that is essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed ...
Pagina 17
... realities " lived " real- ity holds a peculiar primacy which compels us to regard it as “ the ” reality . Instead of " lived " reality we may say " human " reality . The painter who im- passively witnesses the death scene appears " inhu ...
... realities " lived " real- ity holds a peculiar primacy which compels us to regard it as “ the ” reality . Instead of " lived " reality we may say " human " reality . The painter who im- passively witnesses the death scene appears " inhu ...
Pagina 35
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
... reality . Yet a tendency resident in human nature prompts us to assume that reality is what we think of it and thus to confound reality and idea by taking in good faith the latter for the thing itself . Our yearning for reality leads us ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young