The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 130
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
... realize or not to realize this vital design which we ultimately are , but it cannot correct it , change it , abbreviate it , or substitute anything for it . We are indelibly that single pro- grammatic personage who must be realized ...
Pagina 132
... realized . For this reason , it cannot be said that two different men find themselves in the same situation . The ... realize it , he can be untrue to himself . Then his life lacks authenticity . If " vocation " is not taken to mean ...
... realized . For this reason , it cannot be said that two different men find themselves in the same situation . The ... realize it , he can be untrue to himself . Then his life lacks authenticity . If " vocation " is not taken to mean ...
Pagina 142
... realize himself exactly . The latter presup- poses that one has no doubts as to who one is , or that , once this is determined , the individual re- solves to realize himself - whereupon the attention can tranquilly see to the details of ...
... realize himself exactly . The latter presup- poses that one has no doubts as to who one is , or that , once this is determined , the individual re- solves to realize himself - whereupon the attention can tranquilly see to the details of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth