The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 69
But the reasons usually given to explain his triumph and his ability to survive
seem to me erroneous . The interest his ... All this may contribute to the pleasure
we draw from Dostoevski ; only it is not sufficient reason . Moreover , there is a ...
But the reasons usually given to explain his triumph and his ability to survive
seem to me erroneous . The interest his ... All this may contribute to the pleasure
we draw from Dostoevski ; only it is not sufficient reason . Moreover , there is a ...
Pagina 91
But precisely for this reason the average reader does not understand him . In the
beginnings of the novel the difference between good novels and poor novels was
not so great . As nothing had yet been said they all had to begin with saying the ...
But precisely for this reason the average reader does not understand him . In the
beginnings of the novel the difference between good novels and poor novels was
not so great . As nothing had yet been said they all had to begin with saying the ...
Pagina 137
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
In this book , no less solemnly , I said that the theme of our time consists in
reducing pure reason to “ vital reason . ” Has anyone yet tried - not to draw the
most immediate consequences from this phrase , but simply to understand its
meaning ?
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young