The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 36
... the sad lot of each of the six personages is a mere pretext and remains
shadowy . Instead , we witness the real drama of some ideas as such , some
subjective phantoms gesticulating in an author ' s mind . The artist ' s intent to
dehumanize ...
... the sad lot of each of the six personages is a mere pretext and remains
shadowy . Instead , we witness the real drama of some ideas as such , some
subjective phantoms gesticulating in an author ' s mind . The artist ' s intent to
dehumanize ...
Pagina 130
The soul , then , remains as much outside the I which you are , as the landscape
remains outside your body . Let us say , if you choose , that among the things with
which you found yourself , your soul is the closest to you , but it is not you ...
The soul , then , remains as much outside the I which you are , as the landscape
remains outside your body . Let us say , if you choose , that among the things with
which you found yourself , your soul is the closest to you , but it is not you ...
Pagina 139
However much a man searches heaven and earth , the present and the future ,
for his higher destiny , he remains the victim of a perennial vacillation , of an
external influence which perpetually troubles him until , once and for all , he
makes up ...
However much a man searches heaven and earth , the present and the future ,
for his higher destiny , he remains the victim of a perennial vacillation , of an
external influence which perpetually troubles him until , once and for all , he
makes up ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |