The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 36
... mere pretext and remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmistakable , and conclusive proof is ...
... mere pretext and remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmistakable , and conclusive proof is ...
Pagina 114
At the same time , the atomization of things in oblique vision is such that almost nothing remains of them . Figures begin to be unrecognizable . Instead of painting objects as they are seen , one paints the experience of seeing .
At the same time , the atomization of things in oblique vision is such that almost nothing remains of them . Figures begin to be unrecognizable . Instead of painting objects as they are seen , one paints the experience of seeing .
Pagina 130
The soul , then , remains as much outside the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is ...
The soul , then , remains as much outside the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consequence consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture poet point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |