The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 7
Pagina 36
... remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmis- takable , and conclusive proof is given of the pos ...
... remains shadowy . Instead , we witness the real drama of some ideas as such , some subjective phantoms gesticulating in an author's mind . The artist's intent to dehumanize is unmis- takable , and conclusive proof is given of the pos ...
Pagina 114
... remains of them . Figures begin to be unrecognizable . In- stead of painting objects as they are seen , one paints the experience of seeing . Instead of an object as impression , that is , a mass of sensations . Art , with this , has ...
... remains of them . Figures begin to be unrecognizable . In- stead of painting objects as they are seen , one paints the experience of seeing . Instead of an object as impression , that is , a mass of sensations . Art , with this , has ...
Pagina 130
... remains as much out- side the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is not you yourself ...
... remains as much out- side the I which you are , as the landscape remains outside your body . Let us say , if you choose , that among the things with which you found yourself , your soul is the closest to you , but it is not you yourself ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young