The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 14
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
... seems doubtful whether the two can be said to be present at the same event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot ...
Pagina 70
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
... seem abstract and inefficient , is the true substance of art . The author's or the critic's point of view cannot be the ... seems accidental and extrinsic but in reality forms the essence of the work : the structure of the novel as such ...
Pagina 94
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
... seems convincing when it coincides with cases we have witnessed in life . An awkward thing it would be if the novelist had to rely on the chance experiences of this or that reader of his . Rather we recall that one of the peculiar ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young