The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 9
... work is in principle incompatible with aesthetic enjoyment proper . We have
here a very simple optical problem . To see a thing we must adjust our visual
apparatus in a certain way . If the adjustment is inadequate the thing is seen
indistinctly ...
... work is in principle incompatible with aesthetic enjoyment proper . We have
here a very simple optical problem . To see a thing we must adjust our visual
apparatus in a certain way . If the adjustment is inadequate the thing is seen
indistinctly ...
Pagina 78
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i . e . , interests . Modern psychology has found
itself ...
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i . e . , interests . Modern psychology has found
itself ...
Pagina 129
Monumental optics , we may say for the moment , has four disadvantages : it is a
solemn vision , seen from outside , seen from a distance , and lacking in genetic
dynamism . This monumentalism becomes the more obvious the greater the ...
Monumental optics , we may say for the moment , has four disadvantages : it is a
solemn vision , seen from outside , seen from a distance , and lacking in genetic
dynamism . This monumentalism becomes the more obvious the greater the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young