The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 6
But when his dislike is due to his failure to understand , he feels vaguely
humiliated and this rankling sense of inferiority must be counterbalanced by
indignant self - assertion . Through its mere presence , the art of the young
compels the ...
But when his dislike is due to his failure to understand , he feels vaguely
humiliated and this rankling sense of inferiority must be counterbalanced by
indignant self - assertion . Through its mere presence , the art of the young
compels the ...
Pagina 44
To them modern painting and music are sheer “ farce ” - in the bad sense of the
word and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A " farce ” in the bad sense of the word it would be if
the ...
To them modern painting and music are sheer “ farce ” - in the bad sense of the
word and they will not be convinced that to be a farce may be precisely the
mission and the virtue of art . A " farce ” in the bad sense of the word it would be if
the ...
Pagina 140
José Ortega y Gasset. a juxtaposition of life with something which life can
definitely set aside . He half sees that life is in itself ethical , in a more basic sense
of the word , that in man the imperative forms a part of his own reality . The man
whose ...
José Ortega y Gasset. a juxtaposition of life with something which life can
definitely set aside . He half sees that life is in itself ethical , in a more basic sense
of the word , that in man the imperative forms a part of his own reality . The man
whose ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young