The dehumanization of art, and other writings on art and culture |
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Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images, a power characteristic of the artistic sensibility; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries.
Their enjoyment does not depend upon our power to focus on transparencies
and images, a power characteristic of the artistic sensibility; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries.
Pagina 18
This new sensibility is a gift not only of the artist proper but also of his audience.
When I said above that the new art is an art for artists I understood by "artists" not
only those who produce this art but also those who are capable of perceiving ...
This new sensibility is a gift not only of the artist proper but also of his audience.
When I said above that the new art is an art for artists I understood by "artists" not
only those who produce this art but also those who are capable of perceiving ...
Pagina 38
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it, as though affrighted and nauseated
, and resorts to abstract signs, the last residues of cosmic or animal forms.
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it, as though affrighted and nauseated
, and resorts to abstract signs, the last residues of cosmic or animal forms.
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |