The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor ' s joys and ...
Pagina 18
This new sensibility is a gift not only of the artist proper but also of his audience .
When I said above that the new art is an art for artists I understood by “ artists ”
not only those who produce this art but also those who are capable of perceiving
...
This new sensibility is a gift not only of the artist proper but also of his audience .
When I said above that the new art is an art for artists I understood by “ artists ”
not only those who produce this art but also those who are capable of perceiving
...
Pagina 38
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it , as though affrighted and
nauseated , and resorts to abstract signs , the last residues of cosmic or animal
forms .
Even in the evolution of prehistoric art we observe that artistic sensibility begins
with seeking the living form and then drops it , as though affrighted and
nauseated , and resorts to abstract signs , the last residues of cosmic or animal
forms .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |