The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 126
... shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking into the abyss , moves his arms to keep afloat . This movement of the arms which is his reaction against his own destruction , is culture - a ...
... shipwreck . To be shipwrecked is not to drown . The poor human being , feeling himself sinking into the abyss , moves his arms to keep afloat . This movement of the arms which is his reaction against his own destruction , is culture - a ...
Pagina 127
... shipwreck , being the truth of life , constitutes salvation . Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory ...
... shipwreck , being the truth of life , constitutes salvation . Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory ...
Pagina 134
... shipwrecked in his own exist- ence , who is lost in it and never knows from one minute to the next what will become of him - the Goethe who felt that he was " like a magic oyster over which strange waves pass . " Is it not worth ...
... shipwrecked in his own exist- ence , who is lost in it and never knows from one minute to the next what will become of him - the Goethe who felt that he was " like a magic oyster over which strange waves pass . " Is it not worth ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth